my process
Light returns to its silence, carrying a little joy with it.
Perhaps rhythm is simply another word for being alive.
The mosaic teaches me — wholeness is not found, it is made.
I work by cutting and assembling countless fragments known as tesserae—tiny hand-cut pieces of stone, marble, glass, or ceramic—into a coherent visual language of my own making. Each form emerges through a collection of deliberate lines, shaped not with a brushstroke but through the cumulative precision of these varied fragments. Every tesserae is placed with intention, positioned to catch and direct light, aligning itself in conversation with the next. Through this careful arrangement, the work builds its own rhythm, allowing the fragments to resolve into a unified visual cadence. The magical emergence of a mosaic. To learn more about my process click here.
I work by cutting and assembling countless fragments known as tesserae—tiny hand-cut pieces of stone, marble, glass, or ceramic—into a coherent visual language of my own making. Each form emerges through a collection of deliberate lines, shaped not with a brushstroke but through the cumulative precision of these varied fragments. Every tesserae is placed with intention, positioned to catch and direct light, aligning itself in conversation with the next. Through this careful arrangement, the work builds its own rhythm, allowing the fragments to resolve into a unified visual cadence. The magical emergence of a mosaic. To learn more about my process click here.
